Review Source: Culture
Asylum
Official Site: -none-
t.o.t.s. Interview
w/Gira777, Culture Asylum (Dec. 1998)
by;
Gira777
Many
bands strive for a creative impact but few reach that point. One band
that has is Things Outside The Skin. Their cassette "PIED PIPER" is
incredible, especially when you're a band that can do a remake of
a Residents' song with style. Their version of "Ginger's Lament" is
insane I love it. There are six tracks on Pied Piper they are as follows:
"Mettle., mov.III:Truth", "Ginger's Lament", "New Law," "Acquiesce,"
"Atmosphere," and "Eve of Separation". They incorporate interesting
textures that make you feel that you visually see the chaos within
the music. The effects are mesmorizing. I recommend this for those
who are interested in music that will slap you speechless.
What year did you establish yourselves as Things Outside The Skin?
THINGS OUTSIDE THE SKIN: Initially, Things Outside
The Skin began as a side project in 1996. It wasn't until early 1998
that t.o.t.s. became the direct focus of our attention. Essentially,
it's nothing more than a cosmetic makeover of a previous project called
Recherche' that we've been involved with for the past seven years.
Who
was the original line up and how did you come up with the name for
the band?
THINGS OUTSIDE THE SKIN: Originally known as Recherche'
(circa 1991), it began as a studio project of THE thing, and it's
live members included Raphael Hickman on guitars and Vince Tur-Rojas
on drums. After about six years of promoting the world's most impractical,
unpronounceable,
unintelligible band name, THE thing began searching for something
that more clearly represented the music and the show. The name Things
Outside The Skin had simple, frequently used words that were easily
digestible and yet promoted a fairly descriptive concept that represented
our current ideas, music and performance. Currently, t.o.t.s. consists
of THE thing, Mabon Lugh, Benign the Clown, and Elias.
Were
there any other bands you were in?
THINGS OUTSIDE THE SKIN: The previously mentioned
Recherche', Blood in Vain (another project
with Hickman), and Elohim (existed solely as live experimental-noise
-core-type thing, with clarinets and circular saws).
Are
there any side projects in the near future?
THINGS OUTSIDE THE SKIN: Mabon Lugh has a studio
project in the works called Victory Through
Madness, and Benign the Clown does stand-up anti-comedy on a regular
basis throughout Chicago under the title "Randy"; THE thing works
his way in and out of both of their projects at their request. There
are other projects always under construction, but none have solidified
as of yet, and Things Outside The Skin remains the definitive focal
point.
What
equipment do you use for your trademark style?
THINGS OUTSIDE THE SKIN: We've got a ton of shit,
most of it old and useless in the eyes of
"modern musicians", but we call ourselves technical anyway just to
piss them off. So here's some of the more recognizable stuff: Kawai
K-1, Yamaha DX-100, Korg DW-8000, Kawai K-11, Yamaha CS1-X, Boss DR-660,
and Akai samplers. All the sounds we use are anally constructed by
THE thing. We try to the best of our ability not to use anything canned.
What
is your stage performance like?
THINGS OUTSIDE THE SKIN: We glow, we melt, we
peel our skin off. We scream and rap, cause epileptics to flop around,
and blow up balloon animals. Periodically, we may play some music.
A large part of the live performance is the films made by t.o.t.s.
.. most of them original, some of them re-edited, but all of them
usually repulsive as hell. And if you don't like seeing hammers shoved
up people's assholes, keep your eye on the stage and off the TVs.
Not that everything isn't without it's proper context.
In
dealing with rumours are there any strange rumours that surround Things
Outside The Skin?
THINGS OUTSIDE THE SKIN: People often misconstrue
our violence, whether recorded or live, as both hostile and aggressive.
This is not the case at all. We really love everybody, and just have
a poor way of showing it.
Where
do you see Things Outside The Skin in say five years?
THINGS OUTSIDE THE SKIN: At McDonald's serving
hamburgers, or something a little more profitable like prostitution,
if something doesn't happen soon to financially compensate our investments.
Is
there a tour in the works anytime soon?
THINGS OUTSIDE THE SKIN: It's been two years since
we've played live. In that two years, all of our efforts have been
towards building a new live performance that can be toured and not
sacrificed. At the beginning of the new year, we'd like to start playing
in the Midwest and move out toward the East Coast and back, providing
enough clubs let us in the doors.
The
music you do is very chaotic sometimes even the feeling of turmoil
and detatchment was that an intentional move on your part?
THINGS OUTSIDE THE SKIN: THE thing has always
been really influenced by pretty things. What you hear are his strained
attempts at that. The chaos, the turmoil, the detachment... these
are things that you're probably picking up from our over-exertion
in trying to avoid the mundane "body-chorus-body-chorus" type of compositions.
That part of it was intentional. One thing that seems to plague THE
thing is that no matter what he touches, people usually interpret
it as "creepy."
THAT is not intentional, but happens so frequently that he said, "Fuck
it", and we just went in that direction anyway.
Is
there an underlined subject of politics involved in your music?
THINGS OUTSIDE THE SKIN: Yeah. It's not a unanimous
decision, and we do have inconsistencies throughout our personal views.
But the views represented through the music and films are usually
pro-animal rights, pro-equal rights, pro-pro rites, pro-individuality,
and most things pro-"insert moralistic thing here"; and also anti-"any
big organized religion that gives more shit about itself than the
people it purports to help (cliché, we know)". We support good things.
We hate people that hate. We hate them a lot. Probably a whole lot
more than they hate other people. It's a source of confusion with
us. We hate so much sometimes we think we're the assholes.
In
what direction do you see Electronica, Industrial, Gothic, Darkwave
music headed in?
THINGS OUTSIDE THE SKIN: We have no idea. We've
sat here for two hours trying to come up with an answer. Hour three:
It's rather sad, we suppose, but still we have no clue with where
to go with this question. Ummm . . . in a good direction? Or, or perhaps
a bad one? Now everyone likes us.
What
advice do you have for musicians starting out in this field or any
field of music?
THINGS OUTSIDE THE SKIN: Anyone indulging themselves
in any art form should love rejection letters, hate mail, being patronized
by your closest friends and family, and accept the fact that they'll
be poor forever. If you keep a viewpoint like this, any recognition
is exciting. Hell, even having the money to buy a new cable is exciting.
Don't be afraid to contradict yourself; hypocrisy is actually a pretty
good thing. Do what you want to do now, and keep doing it; otherwise,
around the age of 45 or 50, you're going to have a mid-life crisis
and kill yourself, or make life miserable for all those around you
if you don't.
Are
you school taught or self taught musicans?
THINGS OUTSIDE THE SKIN: Self-taught.
Tell
me a litte bit about THE thing, Mabon Lugh, and Benign the Clown.
THINGS OUTSIDE THE SKIN: THE thing is the primary
antagonist and bitches a lot about everything. He considers himself
a pretty silly guy, but everyone else thinks he's a jerk. He does
the majority of the programming and song writing, and is responsible
for most of the irritating screams and "singing." Mabon Lugh pushes
the occasional button, fondles her breasts in between songs, and handles
all the live lighting and sequencing. She also screeches hateful things
into the mic whenever the mood strikes her. Benign the Clown makes
balloon animals, dances around, tells bad
jokes and attempts to sing, as well. He's an idiot we put on stage
to amuse the audience. The funny thing is, he has a Ph.D. in microbiology.
What
is the over all concept behind Pied Piper?
THINGS OUTSIDE THE SKIN: The overall concept behind
Pied Piper is much like that behind the children's tale. The Piper's
music was so enchanting that both the rats and the children followed
him without doubt or question. Only after the music was gone were
his true intentions realized, and by then it was too late.
When
should we expect a new release from you?
THINGS OUTSIDE THE SKIN: We're already working
on new material, and we plan to press "Pied Piper" on CD in the near
future, with the new stuff included.
In
such songs as "Mettle.,mov.III: Truth", "Atmosphere", and "Eve of
Separation" the dark mode of emotion is very noticable is that intended?
THINGS OUTSIDE THE SKIN: The basic motifs of
the songs -- permanence, genocide, and racism -- were all pretty downbeat.
The music always seems sterile to us, so we try to compensate with
subject matter that we're passionate about. The end result tends to
be somewhat emotional.
Are
there any final words you'd like to share?
THINGS OUTSIDE THE SKIN: Check out the site at www.geocities.com/SunsetStrip/Club/6240.
It's
maintained by Things Outside The Skin. If you don't have access to
the Internet, you can write to us for more information at P.O. Box
13248, Chicago, IL 60613. If you want to see us, let us know. We'll
do what we can to get near you, and if not, we'll say, "Nope. Sorry."
Thanks.
NOTE: The above web link and
mailing address are no longer active! They are left in for historical
reasons. Ha! -Chvad SB, 2006)
CLOSING
STATEMENT
-------------------------------------------
I would like to thank Things Outside The Skin for their time. I found
talking with them very liberating. I hope to talk with them in the
months to follow. If you wish to contact them to find out more about
Pied Piper e-mail them at recherche@worldnet.att.net (NOT
ACTIVE!)
...Thank you and always remember FIVE OUT OF FIVE SOULS RECOMEMEND
DANCING TO
KILL PARASITES!!!!!!!
--Gira777--